Elana Herzog is an artist's-artist with a devoted following among practitioners, curators, and independently minded collectors for her singular ability to marry soft materials with obdurate institutional walls, and her sixth sense for finding the beauty and 'voice' within mass-produced fabrics. She studied art at Bennington College (BA, 1977) and SUNY-Alfred (MFA, 1979). [11][12][13] Artcritical editor David Brody writes of that process: "Herzog's ambitiously scaled compositions are built up from small, provisional decisions—unruly brushstrokes, in effect—that coalesce into powerful storms of texture. The work of New York based installation artist and sculptor, Elana Herzog who also does handmade paper and books. Elana has 2 jobs listed on their profile. [34][26][35] This work alluded to the body, gender and women's undergarments, nature, cleanliness and privacy. Elana Herzog. [20] She withheld from exhibiting until 1990, when she participated in a group show at Minor Injury Gallery (Brooklyn) and received a review mention from Roberta Smith in The New York Times. [6][7][8][9][10], Herzog's installations blur distinctions between two-and three-dimensional media, eliciting comparisons to late-modernist painting and drawing, yet they also upend that tradition through a subversive, deconstructive process that emphasizes ephemerality and fragility. "[8][44] For Into The Fray, Herzog mounted sections of stapled textiles on fiberboard on to freestanding metal shelving struts, found wood, and walls throughout the space, rendering armature and art indistinguishable;[1] curator Dan Cameron called the show a poetic, "refreshingly anti-academic" deconstruction of late-modernist painting. Herzog has been recognized with a Guggenheim Fellowship, Anonymous Was a Woman Award and Louis Comfort Tiffany Foundation Award, among others. Herzog delights in the de-materializing of form, only to embed those broken-down forms into larger contexts like museums and institutions to see what meaningfully joyous havoc they will wreak. The former featured the installation, Romancing the Rock, which New York Times critic Holland Cotter described as lines of ripped fabric that "appear to be burning, like corrosive acid in the cube they're stapled to. Recommended. "Devotion/Destruction: Craft Inheritance," Dorsky Gallery Curatorial Programs, 2016. [3][4][5] She has exhibited nationally and internationally, including at the Brooklyn Museum, Museum of Arts and Design (MAD), Tang Museum, Weatherspoon Art Museum, Sharjah Art Museum, and Reykjavik Art Museum. [21], After turning to textile-based works in the 1990s, Herzog attracted growing attention with several site-specific installations, group shows at White Columns, Hofstra University and the Brooklyn Museum, and solo exhibitions at Black + Herron, Momenta Art, and P.P.O.W. Elana Herzog is known for installation art, textilels, sculpture, abstract domestic imagery. View the profiles of people named Elena Herzog. Herzog has been recognized with artist residencies from the MacDowell Colony, Sondre Green Farm (Norway), Albers Foundation, Gertrude Contemporary Art Spaces (Australia), Marie Walsh Sharpe Space Program, and Farpath Foundation (France), among others. Nationality. by Elena Goukassian October 26, 2017 March 17, 2018 A new ballet in Brooklyn invited artist Elana Herzog to work in the theater for the first time, and the multifaceted work premiers this week. [22][23][24][25][26] In the 2000s, she installed stapled-textile works at venues including SculptureCenter, Smack Mellon, Herbert F. Johnson Museum of Art, Aldrich Museum of Contemporary Art, and the Drawing Center;[27][2][19] in 2009, the Daum Museum of Contemporary Art presented a fifteen-year survey of her work. "Interview With Elana Herzog,", Beachler, Justin. Elana Herzog. Elena Herzog (née Pisetski; born in 1970) is a Russian-American visual artist and photographer. Elana Herzog skapar skulpturer och platsspecifika installationer. [1][2] Herzog has been recognized with a Guggenheim Fellowship, Anonymous Was a Woman Award and Louis Comfort Tiffany Foundation Award, among others. [42][11] At the Herbert F. Johnson Museum (2006), she reconfigured that work alongside carpets and art from the museum's own collection to further those themes. Elana Herzog lives and works in New York City.Dewarped and Unweft, a survey of Herzog’s work since 1993, was at the Daum Museum of Contemporary Art in Missouri in 2009.She has had solo and two- person exhibitions in numerous venues, including the Aldrich Museum of Contemporary Art in Connecticut; Smack Mellon in New York; the Herbert F. Johnson Museum at Cornell University, New … She has a BA from Bennington College and an MFA from Alfred University. "Elana Herzog at Black + Herron,", Castro, Jan Garden. 20w cm) At the outset of the U.S. War in Iraq, she turned to more specific cultural referents—Persian-style carpets deconstructed to the point of dissolution—in order to convey powerlessness, fragility, the fluidity of cultural meaning, and global power dynamics for Civilization and Its DisContents (Smack Mellon, 2003). Seems there's no news about Elana Herzog. (As the title suggests, Herzog, like Freud, finds the Unconscious a compelling cultural signifier.) See more ideas about herzog, textile art, fiber art. [18], Herzog was born in 1954 in Toronto, Canada. [11][37], In 1999, Herzog began embedding found textiles in walls, movable panels and built surfaces using thousands of heavy-gauge metal staples that often re-inscribed selected patterns in the material. Buy / Sell. [30][17] Art in America's James Hyde described the zigzagging remnants as "intimate and architectural, delicate and rough," unconventional drawings with "juicy" surfaces of liquid-like fabric, glistening embroidery-like staples and dislodged chunks of sheetrock. "Aggressively Eloquent,", Gschwandtner, Sabrina. show as "amusing, sophisticated formal objects whose poise belies their homely origins. And recently, at the Tegnerforbundet Gallery, in Oslo, Norway, the artist reconfigured a single child's woolen winter jacket into a reductive, Minimalist composition of vertical lines surrounding the gallery desk. "[47] In Valence (2014, The Boiler), Herzog created two overlapping, 17' x 24' surfaces of tattered fabric, staples and paint inspired by the Bauhaus textiles of Anni Albers—one supported by steel shelving posts leaning against a massive brick wall and the other mounted directly to the brick. 2,904 Followers, 2,075 Following, 867 Posts - See Instagram photos and videos from Elana Herzog (@elanaherzog) She is an actress, known for Die Pfefferkörner (1999), Alphateam - Die Lebensretter im OP (1997) and Ein Mann steht seine Frau (1997). There are 3 professionals named "Elana Herzog", who use LinkedIn to exchange information, ideas, and opportunities. And I just try to get out of the way.". [22] Reviews also identify Herzog's absurdist regard for the functionality and abjectness of the raw materials; The New Yorker described her 1998 P.P.O.W. Auction Records. Elana Herzog. [17] W(e)ave (2007, Aldrich Museum, with sound artist Michael Schumacher) and Plaid (2007, Smack Mellon) signaled Herzog's growing architectural and spatial engagement. Read the artist bio and gain a deeper understanding with MutualArt's artist profile. Resources. [17] Since then, she has had solo and two-person exhibitions at LMAK Projects (2011, 2014), The Boiler (Pierogi Gallery, 2014), Studio 10 (2015, 2016), the Sharjah Art Museum (2016), and Western Exhibitions (2018, Chicago), among others. [18][17] She extended this linear work into the gallery space and its built structures in the shows "The Jewel Thief" (2010, Tang Museum) and Into The Fray (2011, LMAK Projects, solo). Elana Herzog is an American installation artist and sculptor based in New York City. Elana Herzog lives and works in New York City. [29], Herzog began working in handmade paper after a residency at the Dieu Donné Papermill in Manhattan (2008–9) suggested similarities between paper production and her own processes of deconstruction and reconstitution. Created with Sketch. Overview . [17] It featured floor-to-ceiling forms that Review Magazine described as "eloquent lines created through violent physical action," resembling frayed seams or fibers forcing their way through walls. Ofta använder hon brukstextil – sängöverkast, draperier eller disktrasor – till sina verk. Whitepages people search is the most trusted directory. Elana Herzog's first artwork to be offered at auction was Untitled at Brooklyn Academy of Music in 2008Elana Herzog has been featured in articles for the Art in America, the ArtDaily and the ARTFORUM. Elana Herzog lives and works in New York City. [19], Princenthal, Nancy. [23][24][11] Her first textile work, Rapunzel (1990), featured a long, knotted piece of sheer fabric that hung below an altered, used wooden table and snaked along the floor;[20] in 1995, The New York Times likened her installation of elastic-ringed fabric pieces at the Islip Art Museum to a chamber colonized by caterpillars and candy-striped cocoons or pajamas gone berserk. "Speed, labor, progress, obsolescence, loss, kitsch, camp, nostalgia, sentimentality, taste…there are too many cliches out there for what I and other women artists do. Herzog is a recipient of a 2017 Guggenheim Foundation fellowship. Background Checks. Images courtesy of the artist —Brenda Coultas is the author of the poetry collection The Tatters, forthcoming from Wesleyan University Press in January. Recommended Cities. She has exhibited nationally and internationally, including at the Broo… 22h x 30w in (55.88h x 76. Elana Herzog lives and works in New York City. Anna-Elena Herzog was born on July 12, 1987 in Germany. [30] Writers such as Barbara Pollock termed later works "monumental friezes" that recalled Stella's stripe paintings or the monolithic rectangles of Barnett Newman. [19] In the 1980s, she worked a variety of blue-collar jobs, including electrician's apprentice, mechanic and construction worker, while producing mixed-media sculpture out of a studio in Williamsburg, Brooklyn. Untitled for … For the last two decades, she has reveled in creating immersive situations that obliterate distinctions between old and new, common and precious, in process and completed. "If my work projects a sense of strength, it's through fragility and tangential qualities -- not the myth of greatness," says the artist. [28][9][29], Herzog's art has been described as a mix of visceral color and texture, formal rigor and whimsy[30][1] that balances between decorative beauty and violence and "ruin and monument. "[14] Thematically, Herzog's conversion of household castoffs into minimalist art raises questions about value, ownership and high- and low-culture conventions of taste and beauty;[15][16][17] Review Magazine describes her work as a "conceptual, emotional, and gutsy" alternative to most fiber art, which leaves viewers to conjecture on associations between women, fiber and gender stereotypes, the destructive capacities of the creative process, and the layering of history. View Elana Herzog’s profile on LinkedIn, the world’s largest professional community. Elana Herzog is an American installation artist and sculptor based in New York City. Einarsdottir, Anna Sigridur. [56][15] Artforum describes the paper work in a second show, "Compression" (2018, Western Exhibitions), as " intense visual stimulants" whose mix of rigid textures and gestural interplay of fabric and pigmented pulp cleverly blur the categories of drawing and collage.[15]. [3][4] She has also received awards from the Foundation for Contemporary Arts, The Saint Gaudens Memorial, Louis Comfort Tiffany Foundation, Joan Mitchell Foundation, and New York Foundation for the Arts, among others. [47][14] Hyperallergic compared the show's elements to "precisely arranged shreds of viscera and lopped-off limbs" that offered a "witheringly beautiful meditation on the murderous elegance of fate. Distinctions between support (walls, metal beams, wood panels) and gesture (chalk lines, pieces of fabric, staples) become unnecessary in these immersive environments in which nothing is what it once was, and yet everything is in full view. As I work I am building a language that is formal and abstract, as well as directly evocative of cultural and emotional experience. View the profiles of professionals named "Elana Herzog" on LinkedIn. Herzog was the 2012 Fellow of the Saint-Gaudens Memorial in Cornish, New Hampshire along with a solo exhibit. Read reviews from world’s largest community for readers. She is most known for abstract, tactile works in which she disassembles, reconfigures and embeds second-hand textiles in walls, modular panels and architectural spaces with industrial-grade metal staples. W(e)ave featured lacy white bedspread fragments embedded on custom-built walls; Nancy Princethal wrote that the ghostly floral fragments suggested faded memories of the one-time 18th-century residence's eroded decorative motifs. Elana Herzog is on Facebook. BIO. Pristoop, Rebecca. Elana Herzog book. Herzog, Elana (art) and Jerome Rothenberg (poetry). Join Facebook to connect with Elena Herzog and others you may know. Less is decidedly more for Herzog, who often prefers to let what is Not there speak for itself. Tenant Screening. The Artist. [46][50], For two international exhibitions, Scale Shifts; Vision Adjusts (2016, Sharjah Museum, UAE) and "Material Migrations" (2017, Artisterium 10, Tbilisi, Georgia), Herzog collected carpets from New York and each show's locale, from which she created largely horizontal works that reference the global movement of culture and allude to (and upend) the Modernist grid and aesthetic. [48][49] In 2018, she recreated Valence at the Rubin Foundation's 8th Floor Gallery in a 10'-high version inhabiting a corner in the gallery; writers likened it to intimate, peeling layers of civilization evoking aerial views and underlying structures of urban planning, power relations and global change. At the Humanities Gallery at Long Island University, in a work titled "The Return of the Repressed," she layered the floors with lush Persian carpets that had been cut out and reassembled (this for a show inspired by Sigmund Freud's office in Vienna, where Persian carpets were much in use during analysis) only to reconfigure them yet again at other venues. This project was funded in part by a Foundation for Contemporary Art Emergency Grant. "The Aftermath of Warp and Weft,", Princenthal, Nancy. [45], In two large installations, Herzog explored history as a cycle of resurrection and collapse, and rationality spiraling into entropy. Dec 23, 2018 - Explore Astrid Bowlby's board "Elana Herzog", followed by 578 people on Pinterest. The Aldrich Contemporary Art Museum Elana Herzog Exhibition Installation February 26 - March 11, 2007. "Elana Herzog, Shredding Domesticity,", Princenthal, Nancy. Professionals named `` Elana Herzog, '', who use LinkedIn to exchange,! 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